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Post by MonkeyMan on Apr 19, 2017 8:07:36 GMT -5
In the 1920s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent. The recordings they made of all the ethnic groups of America democratized the nation and gave a voice to everyone. Country singers in the Appalachians, Blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians were all recorded. For the first time, a woman picking cotton in Mississippi, a coalminer in Virginia or a tobacco farmer in Tennessee could have their thoughts and feelings heard on records played in living rooms across the country. It was the first time America heard itself. AMERICAN EPIC represents a ten-year odyssey undertaken by director Bernard MacMahon and producers Allison McGourty and Duke Erikson, and audio engineer Nicholas Bergh that involved tracking down countless long forgotten musicians, restoring the music that they recorded and reassembling the technology that created it... Engineer Nicholas Bergh has reassembled this recording system from original parts and it is now the only one left in the world. The system consists of a single microphone, a towering six-foot amplifier rack, and a live record-cutting lathe, powered by a weight-driven pulley system of clockwork gears. www.thirteen.org/13pressroom/press-release/american-epic/
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Sandbagger
Administrator/The Boss
Posts: 6,247
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Post by Sandbagger on Apr 19, 2017 9:53:46 GMT -5
In the 1920s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent. The recordings they made of all the ethnic groups of America democratized the nation and gave a voice to everyone. Country singers in the Appalachians, Blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians were all recorded. For the first time, a woman picking cotton in Mississippi, a coalminer in Virginia or a tobacco farmer in Tennessee could have their thoughts and feelings heard on records played in living rooms across the country. It was the first time America heard itself. AMERICAN EPIC represents a ten-year odyssey undertaken by director Bernard MacMahon and producers Allison McGourty and Duke Erikson, and audio engineer Nicholas Bergh that involved tracking down countless long forgotten musicians, restoring the music that they recorded and reassembling the technology that created it... Engineer Nicholas Bergh has reassembled this recording system from original parts and it is now the only one left in the world. The system consists of a single microphone, a towering six-foot amplifier rack, and a live record-cutting lathe, powered by a weight-driven pulley system of clockwork gears. www.thirteen.org/13pressroom/press-release/american-epic/And just think, we can now do all of that with a hand-held smart phone (video too!).
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Post by Stranger on Jun 10, 2017 21:29:13 GMT -5
yea, and that smart phone has so much processing ability, I wonder what that would compare to NASA during the space race?
makes my head spin
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Post by MonkeyMan on Jun 11, 2017 15:26:24 GMT -5
Speaking of this, I watched the first of three episodes and I wasn't wowed, pretty much forgot about it. I have so free time this evening so I may give episode two a look-see.
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